(SCMP) To say that Ann Hui On-wah, who turns 70 on May 23, ranks among Hong Kong cinema’s biggest talents is an understatement. While she may not share the stylistic flourish – and consequently, international acclaim – of contemporaries such as Wong Kar-wai, Tsui Hark or Johnnie To Kei-fung, Hui’s human dramas, which are often steeped in social conscience, are deeply treasured by Hong Kong audiences.
Hui was born in 1947 in Liaoning, northeast China, to a Nationalist official father and a Japanese mother (a biographical detail she would subsequently explore in the 1990 film Song of the Exile, starring Maggie Cheung Man-yuk). She moved to Hong Kong at age five, eventually completing her bachelor’s and master’s degrees at the University of Hong Kong before studying at the London Film School in the early 1970s.
After a spell directing TV dramas and documentaries, Hui made her first feature – the murder mystery The Secret (1979) – and quickly came to be known as one of the leading figures of the Hong Kong New Wave film movement.
Although she has directed fewer than 30 feature films in a career that has spanned nearly four decades, Hui holds the record for most wins – five – in the Hong Kong Film Awards’ best director category, with Boat People (awarded in 1983), Summer Snow (1996), The Way We Are (2009), A Simple Life (2012) and The Golden Era (2015). She is followed by Allen Fong Yuk-ping and To, who each have three.
Hui’s delicate direction has also proven to be a major source of awards for the actresses with whom she works. The best actress ‘Silver Bear’ prize that Josephine Siao Fong-fong scooped for Summer Snow at the 1995 Berlin International Film Festival was followed by Loletta Lee’s best actress win for Ordinary Heroes at the 1999 Golden Horse Film Awards, and Deanie Ip’s best actress award at the 2011 Venice Film Festival for her role in A Simple Life.
Four actresses have won the best actress honour at the Hong Kong Film Awards for their roles in films by Hui: Siao in 1996, Siqin Gaowa for The Postmodern Life of My Aunt in 2008, Paw Hee-ching for The Way We Are in 2009, and Ip in 2012.
Hui’s next film, Our Time Will Come, starring Zhou Xun as a key figure during the Japanese occupation of Hong Kong, is tentatively set for a July release.
Source: South China Morning Post by Edmund Lee